We're in tech week. The last time I had tech was for The Rainmaker, which is a 2.5 hour long romance/comedy (or "romantice" as it said on the cover of our scripts). It's not a show that requires a lot of technical wizardry.
The 1940's Radio Hour is an entirely different beast. We've got three microphones (well, four, actually) and a different playing space than what we've been using all year. It's a bit more proscenium-y and less thrust-y. BUT we are using the entire house of the theatre (stairways and booths and audience seating).
The music is canned, so it's all pre-recorded. And the cast changes which mics they sing in throughout the show.
Needless to say, our entire world has been rocked slightly.
This afternoon was a slow four-hour spacing rehearsal. We just marked the show and finessed blocking and traffic patterns. No music, no tech, just getting used to the stage. Previous to this, we've been in the rehearsal hall, pretending there were levels when we were just acting on a single flat surface. Now, we're in the actual theatre space, using doors and staircases and the mini stage for our radio show. It's exciting, but slow-going work.
Tonight was a music/sound night. It's complicated, and I got a little frustrated at one point. It got hard for me to loosen up during a duet song I sing. I don't do well with compartmentalized information. I'll get a technical/music note and then get an acting kind of note right after that and it's difficult for me to combine the two. Plus, there's a small dance break. I knew tonight wasn't about performing; I was trying to be extra-sensitive about the monitors and mic levels and how I had to work with the mic. So I let the performing attitudes slide and I think that was rather detrimental. I was just going through the motions so that I could pay attention to the sound. Not everyone else was buying into that and it was just kind of a muddled mess.
The weirdest thing happened also: I had absolutely no energy at the beginning of the rehearsal. Once I was finished with the duet section, I had a bit of a break. I just sat down and read a bit of a magazine. Then, for whatever reason, this jolt of energy happened. We did the tap number and that was very energizing for the end of the rehearsal. Right when I was hitting a good stride, the rehearsal was over and we got a note to come back tomorrow ready to go.
I know a lot of this has to do with trekking up to the Cities for a day and hanging out with friends really late at night. I'm a bit behind on sleep right now, so I should just rest up now and get a good breakfast in, because (like they say in the song "Strike Up the Band"):
There is work to be done, to be done!
But I also need to figure out how to get jazzed about this work from the very beginning.
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